Metal
& Stone Fine Jewelry Lighting
Design by Jack Kelly in 2004 Decoration by Jared Nickolson
Eastland Mall-Charlotte, North Carolina | | Lighting
Equipment Used: 20 Color Kinetics ICoves 18 MR-16 Fixtures Custom
Case Lighting | | Metal
& Stone Fine Jewelry, specializing in custom jewelry and jewelry repair, was
opening in Eastland Mall in Charlotte, NC. City planners had proposed a redevelopment
of the mall with hopes of repeating the success of South Park Mall, the center
piece of Charlotte's premiere shopping district. Dale Lynn, owner of Metal &
Stone, had cornered the market on jewelry repair work in nearby Plaza-Midwood
and thought Eastland Mall would be a prime opportunity to expand his business.
The problem was that Eastland Mall already contained nearly a dozen jewelry stores.
The challenge was to set Metal & Stone apart from the other stores in the
mall.
The artistic design came from Jared Nicholson, owner of Scratch-Works.
Jared has developed a unique style using fundamentals of painting and three dimensional
sculpting. He envisioned the room's transformation into a mining cave, where the
high ceilings would be riddled with stalactites to create an underground jewel
mine. My lighting design would further this illusion, maintaining the subterranean
ambience while ensuring effective lighting for the display cases and work areas.
Jared loved the LED work I used with his art in Sky Lounge, so he felt confident
that I would be able to support and enhance his vision. Jared constructed
a cove approximately 11 feet off the ground, protruding 4 feet, and covering three
of the four walls. Above the cove, he created a circular dome, painting a small
opening to a star lit sky. Below the cove, the wall subtly morphs from rock formations
to a smooth wall. The cove around the ceiling was a perfect setup for 20 IColor
Coves by Color Kinetics. Spaced at 4 feet from center to center, the lumina output
of the IColor Coves perfectly balanced the room. By altering colors, I could program
various effects. To create the illusion of a stream flowing overhead, I fluctuated
a small amount of green at random intervals into a blue backdrop, occasionally
flickering equal parts of red and green into the blue to splash white onto the
ceiling. To create the look of moss growing on the walls, I used different intervals
of red and green in each light, having the intensities individually fluctuate
to give the moss the appearance of life. To create a firelight effect, I flickered
green from 0% to 20% of the red's intensity making sure that none of the IColor
coves used the same pattern. Every visit provides customers with a new visual
and textural experience. This living art generates a natural buzz or conversation
about the store which is an effective form of advertising. |
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| In an artistic retail design, sometimes the lighting designer has
to redirect the emphasis from the art back to the purpose of the art which is
to attract customers and sell product. Jewelry cases must be the brightest items
in the room. This puts the emphasis back on the merchandise and prevents customers
from seeing their reflection. Having bright cases also highlights the most important
item in the store: jewelry. However, the cases provided their own set of complications.
Built much like a gun cabinet, the boxy shape offered no room for lights to be
tucked away. Due to space restrictions, I was unable to use fluorescents which
are both energy efficient and cool. Instead, I ordered custom lighting with an
"L" shaped shield to block the 10 watt halogens from view. I placed
lighting strips under each glass shelf, eliminating ghastly shadows on the precious
stones. Above the jewelry cases, 2 rows of 9 MR-16 narrow-spot fixtures hung over
the lip of a large cove. Each fixture was staggered to create a cavernous feel.
For the work areas, several lamps were used for every station. Metal &
Stone Fine Jewelry Store is the perfect example of a simple yet functional lighting
design. Customers drag their friends to see the cave ceiling. Their eyes then
fall to the shimmering jewelry all around them. The simplest design in my portfolio,
yet I feel it is my most successful. | | |
Eye
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